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Jan-13-2013 13:42printcomments

Bil'in Protesters Oppose a 'Horrible, Horrible Wrong' - Michael Moore

Moore reveals a deeper connection to the film '5 Broken Cameras' than suggested by those lonesome tweets.

Arnon Goldfinger with Michael Moore Courtesy: algemeiner.com
Arnon Goldfinger with Michael Moore Courtesy: algemeiner.com

(TRAVERSE CITY, MI) - Michael Moore tweeted his followers to watch the film about Palestine that launched earlier in the departed year called 5 Broken Cameras. Twice. The chieftain of cinematic guerrilla activism sings it up as “one of the best films of the year” and ”that rare documentary that has the power to move many. Please watch!”

    “Watch one of the best films of the year, “5 Broken Cameras,” the story of a Palestinian farmer who picks up a camera” MMFlint

Moore reveals a deeper connection to the film than suggested by those lonesome tweets. It took home the best picture award at the Traverse City Film Festival founded by Moore in his native Michigan. And he’s spoken at a number of screenings in the US. A video of one such pre-screening talk shows the extent of his directorial admiration for Emad Burnat’s film and the significant Israeli obstacles he has had to climb to showcase the debut Palestinian talent.

    I was able to get Emad to Traverse City, Michigan. He’d gone to the airport in Tel Aviv and they wouldn’t let him leave. And so we had to get him to Amman to get on a plane there. But because I run a large international network of terrorists we were able to make this happen (laughs). I have been a huge advocate for this film for the better part of the last year. I was just telling Tom (the event’s co-organizer) downstairs that if I were the third Koch brother and had their resources … I would send a copy of this film to every home in America. And I believe that within 24 hours, if people would watch it, public opinion on this issue would change dramatically. This film is so powerful in its humanity, in its heart, its belief in non-violence as the way to succeed.

    When Emad and his family were in Traverse City, Terry George, who made Hotel Rwanda, and I were introducing the film and then we did a Q&A afterwards and Terry said something I thought was really very true: every now and again a documentary comes along that after you see it you won’t discuss it as a documentary, you will discuss it as a work of art, a work of cinema, a movie. And we feel very strongly that this is one of those movies. This is one of the best movies I’ve seen this year, of all movies, not just documentaries. And their struggle goes on as you will see. This man is not a documentary film maker – he’s a farmer. And the film that you are about to watch is a film made by a farmer. With no training whatsoever. And I don’t even think that they have a theater in their town so I don’t even know what he’s seen.

    So that makes it even more amazing as you watch this film, and you’re realizing that sometimes if you have that, whatever that is in you, whatever you have to say, you want your voice heard, and he found the medium to do that, quite accidentally: because his son, Jibreel, was born in 2005 and he picked up a used home video camera; and started you know wanting to film his son growing up but things started happening, they (Israel) started building the wall to bleed their town, so he started filming that, and the title of the film, as is probably self-evident, in terms of what happens to his cameras. One thing we did in Traverse City town is that when he left we sent him a brand new camera (laughs) so he can keep filming. A small price to pay for trying to right a horrible, horrible wrong.

    So I’m really happy that he came here tonight to watch this; and I encourage you in terms of not only your appreciation of the art of this film, but also when you leave here, when you think about this tomorrow, to do what you can to help other people who don’t have five broken cameras, don’t have a voice. We (Americans) are the funders of what you are about to see.

    “As Israeli settlers begin building homes and erecting a barrier wall in the West Bank village of Bil’in, a Palestinian farm worker documents the town’s resistance to the new settlement.  Over the course of several years, the townspeople clash with the Israeli Defense Force, and tensions mount as the wall remains and the building continues.” 5 Broken Cameras

Discover Bil’in

Bil’in is a Palestinian village that is struggling to exist. It is fighting to safeguard its land, its olive trees, its resources… its liberty.

By annexing close to 60% of Bil’in land for Israeli settlements and the construction of Israel’s separation wall, the state of Israel is strangling the village. Every day it destroys a bit more, creating an open air prison for Bil’in’s inhabitants.

Supported by Israeli and international activists, Bil’in residents peacefully demonstrate every Friday in front of the “work-site of shame”. And every Friday the Israeli army responds with violence, both physically and psychologically.

Bil’in residents have continued to withstand these injustices despite the frequent night raids of Israeli soldiers in the town followed by an increasing number of arrests of inhabitants and of activists. But now, the army has toughened the oppression by systematically arresting members of the Bil’in committee in charge of organizing the non-violent resistance actions. The aim of the arrests is to discourage Bil’in residents and reduce their resistance to the occupation.

By supporting Bil’in, you will help its inhabitants to continue their struggle and maintain hope in their fight for liberty. This site is dedicated to all people of good will – Palestinian, Israeli and the internationals who fight side by side against the injustices endured by the people of Bil’in.

Since I watched the trailer of 5 Broken Cameras I got inspired to shared as a great film without knowing, that this reality film was being nominated for the best documentary in our Oscar 2013.  5 Broken Cameras it is simple, real, painful as Palestinian reality is. If you have the chance “watch it”, go to Alive Mind Cinema and download it, Group Screen it, show it in your College Campus. Reality sting, but this is the only way to educate the public regarding Occupied Palestine.
Alive Mind Cinema shares a large chunk of the proceeds with the filmmakers, who are often the best spokespeople for their cause, as in the case of 5 Broken Cameras. We also support many organizations through partnerships, free screenings, education, etc.” Elizabeth Sheldon from Alive Mind Cinema.

Emat Burnat Palestinian Filmaker take you on a road of desperation, occupation, outrage and tears. In 5 years IDF (Israel Soldiers) destroyed 5 cameras, but he continue filming Palestinian Struggles.

Now for first time in history, Palestine Occupation has come out to the light of an audience silenced by Israel Propaganda Machine. 5 Broken Cameras in the hands of a Palestinian farmer bring you the painful Palestinian truth.

An extraordinary work of both cinematic and political activism, 5 BROKEN CAMERAS is a deeply personal, first-hand account of non-violent resistance in Bil’in, a West Bank village threatened by encroaching Israeli settlements. Shot almost entirely by Palestinian farmer Emad Burnat, who bought his first camera in 2005 to record the birth of his youngest son, the footage was later given to Israeli co-director Guy Davidi to edit. Structured around the violent destruction of each one of Burnat’s cameras, the filmmakers’ collaboration follows one family’s evolution over five years of village turmoil. Burnat watches from behind the lens as olive trees are bulldozed, protests intensify, and lives are lost. “I feel like the camera protects me,” he says, “but it’s an illusion.”

Democracy Now interview  with Palestinian Filmmaker/Farmer/Activist Emat Burnat and Israel Filmmakers/Activist David Davidi, they walk us to the making of 5 broken cameras, which it is an everyday reality in Bil’in Palestine.

Repression and Arrest on Videos Everyday Bil’in Struggles

akashmanews.com/2013/01/12/bilin-protesters-oppose-a-horrible-horrible-wrong-michael-moore/

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